Wednesday, June 1, 2011
What Do You Do Exactly?
Much of what I do revolves around interviews/movie press junkets/video content for our websites teen.com and gurl.com, but we also do sponsored campaign videos for various brands.
Here are a few interviews/projects I've done lately:
Fuze Los Angeles - Narrated by Cat Deeley:
http://on.fb.me/FuzeLA
Thor (Chris Hemsworth) Junket Interview:
www.teen.com/chris-hemsworth-thor-interview-video
Victoria Justice Behind the Scenes Interview for her new music video:
www.teen.com/victoria-justice-healthy-eating-diet-fitness-tip/
Bella Thorne & Zendaya Red Carpet Interview:
www.teen.com/bella-thorne-zendaya-summer-camp-plans-simmons-pastry-interview
My Day My Life: Ashely Tisdale:
www.teen.com/ashley-tisdale-hellcats-sharpay-exclusive-video-interview
Hope you enjoy those :)
Thursday, April 28, 2011
When I Grow Up

When I was little, I knew exactly what I wanted to be. An Actress. Yes, there it is. I wanted to act. But it’s interesting how you change over the years. And how something you are so sure of at 12, can feel so unclear and ominous at 22.
When I first arrived at USC, I remember sitting in an assembly of fellow Film Production majors and being asked by a moderator, “how many of you want to be directors?” About 75% of the kids raised their hands. When you’re young and love film, being a director seems like the natural course of action. But as the years went on and we all learned more about the different types of jobs available in film, slowly we started to morph. We realized, maybe we didn’t actually enjoy working with actors that much, but had a real knack for sound mixing or editing or cinematography or producing. Film school opened our eyes to all these different specialties, that would still allow us to be involved in film, but maybe in a slightly different way than we had planned. I’ve come to realize that life has a funny way of panning out that way, though!
Before graduation, I feel like most of my friends could tell you more or less what they wanted to do with their life. But now, I feel like the resounding answer to “what do you want to be when you grow up” is “I’m not sure yet.” I’m no longer getting taller (and haven’t for almost 10 years now) but I’m definitely still growing and figuring out what I’m good at and what I like and what’s important to me. I’m hoping that as I gain more experience in the working world and observe others older and wiser than myself, the answer will become clear. But until then, I’m just trying to learn as much as I can, meet as many great people as I can, and most of all, just be happy with who I am and where I’m at now.
Friday, March 18, 2011
Something Good's Around the Corner

Friday, March 11, 2011
How to Get a [Dream] Job in Hollywood

So I got a job offer from my dream company yesterday. I cannot tell you how long I've been waiting and hoping for something like this to fall in my lap....and finally it did.
Wednesday, March 2, 2011
Diary of a Film Student

And so goes another wonderful day on the set of "Life After Film School."
One of my favorite things that was said was Brad’s advice to “Get in the room with people whose jobs you want to have someday.” Always be there watching and learning from your superiors. Be attentive, enthusiastic, and most importantly—be likeable and you will rise thru the ranks quickly. I loved this advice because as I’ve matured I’ve realized and accepted that I’m not going to start at the top. I’m going to have to “pay my dues” as they put it….and I think I’m okay with that—as long as I am at a company that I’m enthusiastic about and love the work they are doing, I will be happy performing mundane tasks such as grabbing coffee and taking phone calls.
Nina and Brad both spoke about the importance to learning. Some movies are going to work, some will fail, some will never see the light of day, while others will go on to become surprise hits. Regardless of how a film performs, it is always a learning experience—an opportunity to take away valuable something. Brad spoke of an elderly director he had collaborated with who was still working in his 80s! Brad’s reasoning for this was that the director had never stopped learning and evolving. He was constantly asking what, how, and why. He was interested in learning about social media and wasn’t narrow-minded, despite being at an age where learning about newfangled things could seem daunting. This goes to show that learning doesn’t stop with graduation. In actuality, life is all a learning experience—and you are never too old to stop gaining knowledge.
I, personally, love kids and enjoy working with them. So I asked Brad and Nina about their experiences working with a cast made up almost entirely of children. They both smiled—it’s clear the event evoked fond sentiments. They told us that the energy on set was contagious; there is a tendency among adults to become jaded by movie-making, but kids are a totally different story. They all felt so incredibly lucky to be there. After all, they were getting to inhabit characters from a series that they themselves and all their friends had read and worshipped! Brad and Nina shared an occasion in which the little boy who plays Raleigh came to set one day to find that they were going to be wearing aprons in the scene. He loudly went running to his dad—“Dad! DAD! We get to wear aprons today!!!” His joy over such a seemingly silly costuming item had the whole crew rolling over laughing and brought smiles to their faces for hours. Kids have an innate power to subtly lighten the mood and remind grown ups of the simple pleasures in all of our lives--such as aprons :)
Stay tuned for video link in a few weeks! And make sure to go see Diary of a Wimpy Kid: Rodrick Rules! It's a charming, funny film that kids and anyone who has gone through the awkwardness of pre-adolescence can relate to and thoroughly enjoy.
Thursday, February 17, 2011
The Office vs. The Set
- Great opportunity to network
- Fabulous learning experience that teaches you about all phases of the industry
- Rigorous, but really prepares you for any job you get afterwards
- Opens doors to many other career opportunities, thru the people you meet
- Many studio execs, agents, managers, and producers have started in the mailrooms at big agencies
- Consistant Pay
- Job security & consistency--knowledge of exactly where you are going to work each day and at what time
- Long hours but less than on set
- Low hourly rate (9-10/hour in mailroom, small bump once you become an assistant on a desk)
- Administrative work that does not have much of a creative component
- Possibility of interacting with difficult personalities and being subjected to subhuman treatment (not a guarantee, but one does hear stories....)
- Exciting and exhilarating atmosphere
- Getting to be an important part of a film and having a direct impact on the outcome of the film
- Opportunity to work hard for several weeks and then take time for yourself....can book appointments during the day and get things done on your off periods
- Each project brings with it new people to meet and contacts to be made
- Better hourly rate than most office-based assistant positions + lots of money for overtime
- There is a good chance of extended time periods with no work
- Very long hours (12+ hours a day)
- Being a key player on set right out of college is great, but there is not much upward mobility since Script Supervisors are the only ones in their department - so the experience does not lend itself to other jobs
Monday, November 8, 2010
Journey to the Biz
I am a host on Fox Movie Channel's "Life After Film School" program, where current film students interview current filmmakers. I thought I'd share a blog I wrote for the Fox Movie Channel website about my experience talking with Graham Yost.
If interested, check out one of my past episodes here! http://www.foxmoviechannel.com/screening.php?vid=50085527
And so goes by another episode of “Life After Film School.” This past week, I had the opportunity to interview Graham Yost, along with two other students. As a recent graduate of USC’s Cinema-Television Production program, these interviews are of utmost interest to me. It is scary trying to break into this business and talking to current filmmakers—who really are just normal people—that have effectively broken into entertainment, is incredibly encouraging. Every route is different, but hearing their various journeys to success is enlightening and something I will take with me as I, too, depart on a professional career.
The film business is unique in that there is no direct career path to becoming a director, or a producer, or a writer. It’s not like becoming a doctor—where one gets good grades in college, aces the MCATs, goes to medical school, and wakes up one morning as a full fledged doctor (forgive me for simplying what I actually do know is a grueling process). But the point is, you know exactly how to become a doctor from square one—and that you’ll be promised a healthy living when you emerge on the other end. I’ve never been a risk-taker and the road more travelled has always looked appealing to me. But my enormous love for I cinema is enough to make me gamble at entertainment. During his interview, Graham mentioned that everyone he had met, who really wanted it and kept at it, eventually found success. Words such as these give me immense hope, as I have always been one of the most hard-working and determined people you’ll ever meet.
While we were chatting in between filming, Graham mentioned that he had come from an acting background, the same as me! He said that understanding the actor’s perspective and how lines are prepared and spoken, was incredibly helpful to being a writer. This is something that I have always felt deep down, so it is great hearing an actual writer validate my theory. I will always be thankful that at 5-years-old, I decided to be an actress. My theatre and speech & debate background, I feel, made me a better writer and director when in film school, it also made me far more respectful towards actors—something that I sadly, don’t always see in filmmakers. When you first get to film school, everyone wants to be a director. But as the years pass and the scope of filmmaking broadens, your classmates start to realize that maybe they aren’t as good at directing as they once thought and maybe their true interests lie elsewhere….editing, sound, cinematography, etc. I didn’t come into USC necessarily wanting to be a director, but I, as well as my peers, was surprised to find that I was actually surprisingly good at directing. Something that I attribute whole-heartedly to my acting background.
So all in all, I’d say it that Episode 9 was a successful day, I walked away with new writing tips and hints to aid me on my own journey…. AND an invitation to go check out the writer’s room on “Justified”! I really do feel so lucky to be a part of Life After Film School., not only have a I gained a wealth of knowledge, but I’ve had the opportunity to meet some amazing filmmakers, as well as some future great filmmakers among my co-hosts as well! I wish Graham Yost the best in all his endeavors, and hopefully our paths will cross again someday shortly.